John Petrucci is performing some riffs and solos from his and his band songs. This video is comming from ‘Young Guitar DVD’. enjoy. Part 02 is here: youtube.com

Rare acoustic version recorded during “The Magnificent Tree” period (actually I think it’s the same session you can see here: www.youtube.com Quirky version highly reminiscent of “La Camisa Negra” (which I hate, but I DO love Hooverphonic!) Lyrics Feel the vibe, feel the terror, feel the pain It’s driving me insane I can’t fake For god sakes why am I Driving in the wrong lane Trouble is my middle name But in the end I’m not too bad Can someone tell me if it’s wrong to be so mad about you Mad about you Mad Are you the fishy wine that will give me A headache in the morning Or just a dark blue land mine That’ll explode without a decent warning Give me all your true hate And I’ll translate it in our bed Into never seen passion, never seen passion That it why I am so mad about you Mad about you Mad about you Mad Trouble is your middle name But in the end you’re not too bad Can someone tell me if it’s wrong to be So mad about you Mad about you Mad Give me all your true hate And I’ll translate it in your bed Into never seen passion That is why I am so mad about you Mad about you

Just be taping a practice. Bass and guitar parts included. I had to cut parts because of youtube’s stupid 10 minute rule. There are flubs.

A quick take of John Myung’s Solar Groove played by moi.

www.creativeguitarstudio.com Andrew Wasson of Creative Guitar Studio answers a viewers question: Q: I have been searching for a good lesson about a concept called “Pitch Axis Theory”, but I cannot find one that explains how to use it. Most of the stuff Ive found just goes on about Modes, but doesnt really cover how the shredder guys and the fusion guys actually use this concept musically. Can you please do a lesson about this topic, I really want to know more about it! Thanks, Joey – New York, NY. Thanks for writing in! Pitch Axis Theory is essentially playing modal. There is a bass pitch which remains static and under that pitch we can perform scales of different types. There can even be another layer of harmony present under the bass pitch. This can influence scale types that can be used to create melody. The complete lesson article for this video, (along with an MP3 audio jam track of the progression heard at the start of the video), is available on the Creative Guitar Studio website. Follow the link below: www.creativeguitarstudio.com ____________________________________ Andrew’s Official Q & A Guitar Blog Website: www.andrewwasson.com Andrew’s “Video guitarblog” youtube Channel www.youtube.com The Creative Guitar Studio Website: www.creativeguitarstudio.com Follow Andrew on Blogspot: creativeguitarstudio.blogspot.com Follow on Twitter for new lesson announcements: twitter.com myspace: www.myspace.com Facebook: www.facebook.com

In this lesson, we work on tapping / hammering again using a four finger technique. Practice! www.techniqueswithtodd.com

Sean Andrews, bassist of Redemption & indica trichome project, demonstrates the bass line to YYZ by Rush. The bass is an Ibanez SR506BM mahogany body & 5-piece wenge/bubinga neck. Strings are GHS Bass Boomers. The audio was recorded using cubasesx, EQ settings flat, plugged Directly Into a Tascam US224. Just to clear up any confusion– I am only using the 4 middle strings [EADG], the same 4 that Geddy uses. I'm available for webcam bass lessons via skype, send me a message if interested. Thanks!

Tony Brucco www.tonybrucco.com Learn Blues guitar http

Petar Makar – Bass gitara – SLAP i POP

Greg Printz Music- Written and produced by GG Printz Greg Printz, singer-songwriter, has been composing music since 1975. His mother, a piano-organ teacher, literally raised Greg on music, and to date he has over 100 songs under copyright. Brought up on piano, he also plays alto saxophone, bass guitar, and 12-string guitar. Song styles vary, but his band’s name “Spiritual Vapor” describes the majority of his work. In 2003, Spiritual Vapor released its 1st CD,”Come on Home”, a tribute to …