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This is Sweep Picking Lesson by Lewis or “The Devils Bitch” by GreenacresMusic

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Here is an acoustic guitar lesson on how to play Mad World by Michael Andrews and Gary Jules (originally performed by Tears for Fears). This lesson has been done by James from the acoustic covers duo “Handsome Alvin”, please check out our covers at: www.youtube.com Capo 1st Fret Intro Chord Progression: Em; A; Em; A; Strumming for entire song: D DDU Verse Chord Progression: Em; G; D; A; (4 times) Chorus Chord Progression: Em; A; (6 times) Lyrics: Intro Verse 1 Em G All around me are familiar faces DA Worn out places, worn out faces Em G Bright and early for their daily races DA Going nowhere, going nowhere Em G The tears are filling up their glasses DA No expression, no expression Em G Hide my head, I wanna drown my sorrow DA No tomorrow, no tomorrow Chorus Em A Em And I find it kind of funny, I find it kind of sad A Em The dreams in which I’m dying are the best I’ve ever had A Em I find it hard to tell you, I find it hard to take A When people run in circles it’s a very, very… Em A Mad world Em A Mad world Verse 2 Em G Children waiting for the day they feel good DA Happy birthday, happy birthday Em G And I feel the way that every child should DA Sit and listen, sit and listen Em G Went to school and I was very nervous DA No one knew me, no one knew me Em G Hello, teacher, tell me what’s my lesson DA Look right through me, look right through me Chorus Em A Em And I find it kind of funny, I find it kind of sad A Em The dreams in which I’m dying are the best I’ve ever had …

FULL COURSE: su.pr More guitar lessons for beginners: www.truefire.com On Twitter www.twitter.com On Facebook: www.truefire.com Today we’re going to work on proper posture and hand positions when playing guitar (lefties–don’t forget that when I say “right,” that means left for you, and vice versa). Sometimes a simple adjustment to your body helps break through barriers that may be preventing you from getting the sound you desire. We are all shaped a little differently, so make small adjustments that help you physically relax and feel comfortable. Pay special attention to forming good habits right from day one. Only then can you be sure to please your ear with your talent! Additionally, I’ll show you how to easily tune your guitar. You should begin each day’s lesson by setting up your posture and hand positions, and then getting in tune. I’ll also talk a little about song keys. Remember that the goal of this course is to quickly enable you to play guitar and sing along on your own or with your friends. Playing along with your favorite recordings might be difficult at first, but that will surely change as you become more proficient.

FULL COURSE: bit.ly More Guitar Lessons: bit.ly Kings of Tone examines twelve masters of tone revealing their gear and effects formulas (and how you can emulate same with your own gear) along with their singular approaches to “touch” and stylistic phrasing. While our quest is ultimately about finding our own “voice” and signature sound, we must first study the masters, just as they studied those who came before them. Kings of Tone dissects the styles, touch, tones, amps, pedals, guitars and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, The Edge, Angus Young, David Gilmour, Keith Richards and Mark Knophler. Your Professor of Tone is NYC session player and educator Jeff McErlain, whose standing-room-only workshops on the subject testify to his expertise stemming from years of tone exploration. “I hope to demystify the tonal qualities of these twelve players by sharing the insight I’ve gained over many years studying them and deconstructing their styles, touch and rigs.”

FULL COURSE: bit.ly More Guitar Lessons: bit.ly Kings of Tone examines twelve masters of tone revealing their gear and effects formulas (and how you can emulate same with your own gear) along with their singular approaches to “touch” and stylistic phrasing. While our quest is ultimately about finding our own “voice” and signature sound, we must first study the masters, just as they studied those who came before them. Kings of Tone dissects the styles, touch, tones, amps, pedals, guitars and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, The Edge, Angus Young, David Gilmour, Keith Richards and Mark Knophler. Your Professor of Tone is NYC session player and educator Jeff McErlain, whose standing-room-only workshops on the subject testify to his expertise stemming from years of tone exploration. “I hope to demystify the tonal qualities of these twelve players by sharing the insight I’ve gained over many years studying them and deconstructing their styles, touch and rigs.”

FULL COURSE: bit.ly More Guitar Lessons: bit.ly Kings of Tone examines twelve masters of tone revealing their gear and effects formulas (and how you can emulate same with your own gear) along with their singular approaches to “touch” and stylistic phrasing. While our quest is ultimately about finding our own “voice” and signature sound, we must first study the masters, just as they studied those who came before them. Kings of Tone dissects the styles, touch, tones, amps, pedals, guitars and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, The Edge, Angus Young, David Gilmour, Keith Richards and Mark Knophler. Your Professor of Tone is NYC session player and educator Jeff McErlain, whose standing-room-only workshops on the subject testify to his expertise stemming from years of tone exploration. “I hope to demystify the tonal qualities of these twelve players by sharing the insight I’ve gained over many years studying them and deconstructing their styles, touch and rigs.”

FULL COURSE: bit.ly More Guitar Lessons: bit.ly Kings of Tone examines twelve masters of tone revealing their gear and effects formulas (and how you can emulate same with your own gear) along with their singular approaches to “touch” and stylistic phrasing. While our quest is ultimately about finding our own “voice” and signature sound, we must first study the masters, just as they studied those who came before them. Kings of Tone dissects the styles, touch, tones, amps, pedals, guitars and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, The Edge, Angus Young, David Gilmour, Keith Richards and Mark Knophler. Your Professor of Tone is NYC session player and educator Jeff McErlain, whose standing-room-only workshops on the subject testify to his expertise stemming from years of tone exploration. “I hope to demystify the tonal qualities of these twelve players by sharing the insight I’ve gained over many years studying them and deconstructing their styles, touch and rigs.”

FULL COURSE: bit.ly More Guitar Lessons: bit.ly Kings of Tone examines twelve masters of tone revealing their gear and effects formulas (and how you can emulate same with your own gear) along with their singular approaches to “touch” and stylistic phrasing. While our quest is ultimately about finding our own “voice” and signature sound, we must first study the masters, just as they studied those who came before them. Kings of Tone dissects the styles, touch, tones, amps, pedals, guitars and setups of Jeff Beck, Jimi Hendrix, Eric Clapton, Jimmy Page, Billy Gibbons, Dickey Betts, Duane Allman, The Edge, Angus Young, David Gilmour, Keith Richards and Mark Knophler. Your Professor of Tone is NYC session player and educator Jeff McErlain, whose standing-room-only workshops on the subject testify to his expertise stemming from years of tone exploration. “I hope to demystify the tonal qualities of these twelve players by sharing the insight I’ve gained over many years studying them and deconstructing their styles, touch and rigs.”